Focus Features

Jared Gilman, the young new star of MOONRISE KINGDOM, went to the Cannes Films Festival and talked to SheKnows.com about his experience. It's a sweet piece that gives you a real sense of the film family MOONRISE KINGDOM created among the actors and director. Gilman also gives some of his favorite films, film stars and advice from Wes: "The one piece of advice that sticks with me is that Wes asked me to act natural during a lot of the scenes because it helped with my performance."

At the Wall Street Journal, Michael Specter's piece "The World of Wes Anderson" provides a very in-depth interview with MOONRISE KINGDOM's director about how and why he makes films. From how Anderson decided to become a filmmaker to the creative process in bringing a story to screen, the interview provides a fascinating look into the creative mind of one of film's most fascinating figures. There is also a great slide show illustrating Anderson's process. He explains that he first wanted to become an architect, only moving into film in college. But an architect's sense of style, order and structure is clearly present in his work. As he explains in his use of storyboards, "Once the script is finished, I have always done little storyboards--I have found over the years that I make more mistakes if I don't plan it out."

The music makes the man (or woman) for MOONRISE KINGDOM's music supervisor Randall Poster. To demonstrate this point, he's compiled playlists highlighting 8 characters from the Island of New Penzance on Pitchfork and 8Track.

The playlist from Sam & Suzy (Jared Gilman & Kara Hayward) sports, of course, romantic tunes from Charles Aznavour, Chuck Berry and The Rolling Stones. The trustworthy Scout Master Ward (Edward Norton) grooves on Frankie Valli and the Four Seasons, but also, true to his quasi-military bearing, follows the beat of the unforgettable whistling "March from The River Kwai" done by Mitch Miller. The cool Cousin Ben (Jason Schwartzman) digs Lewis & The Playboys and the super pop "Mrs. Brown You've Got A Lovely Daughter" from Herman's Hermits - who were hitting it big in 1965. For the more staid, middle-aged Bishops (Bill Murray and Frances McDormand), there's Franz Allers conducting the overture to My Fair Lady and Glenn Gould playing Bach's Goldberg Variations. The down-to-earth Captain Sharp (Bruce Willis) shows a hankering for country with Webb Pierce and Buck Owens And The Buckeroos. And the narrator (Bob Balaban) is stirred by moonlight - you'll see what I mean. But these are just a few of the playlists.

W Magazine was on set with Wes Anderson (at least in print) to cover the making of MOONRISE KINGDOM. Fan Zhong's profile provides a look at director Wes Anderson's creative process, as well as provides a wonderful slide show of shots - by photographer Niko Tavernise (see above) -- from the production of the film. Wes even intimates as to his deep motives for making the comedy of young love: "Part of why I made the movie was that I would be allowed to invent an island."

In a sweet, completely unexpected way, Bill Murray stumbles into an interview that MTV News was conducting with Wes Anderson. The resulting scene captures the lovely bond between actor and director.

People are very excited about the upcoming MOONRISE KINGDOM from Wes Anderson. How excited? Over at Shortlist.com, a group of designers have expended talent and time creating their own posters for the upcoming film.

In the Moviefone post "MOONRISE KINGDOM Stars Kara Hayward And Jared Gilman On Bill Murray, Music And Kissing," Eric Larnick talks to the couple at the center of Wes Anderson's romantic adventure. It's a jaunty interview which covers a lot of ground and gives some lovely insights into the nature of the two young actors. When asked about Anderson as a director, the young Kara Hayward responded:

To be honest, when I was at the summer camps performing in plays, we -- the children who were acting -- ran the show. The director watched and if there was something that someone was doing wrong or not believable at all, he would just mention, "Okay, maybe you should do it this way." So Wes was the first director that I really worked with.

In the video "Circle of Wes Expands," Slate's Jacob Weisberg sits down with MOONRISE KINGDOM's Wes Anderson to talk about the film and its remarkable ensemble cast, including Bill Murray, Bruce Willis, Tilda Swinton, Edward Norton and Frances McDormand - to name just a few. Fascinating bit about Edward Norton bunking with Anderson and Murray.

Image above from Andrew H. Walker/Getty Image) New York Times Critic Manohla Dargis reports from the 65th Cannes Film Festival about the opening night reception of Wes Anderson's MOONRISE KINGDOM, and the warm camaraderie of the cast and director. In the press conference, for example, Bill Murray joked, when asked about being a mainstay of Wes Anderson's film, "I really don't get any other work but through Wes."  But the work according to Dargis is remarkable: "The film is one of Mr. Anderson's supreme achievements: It's wondrously beautiful, often droll and at times hauntingly melancholic."

London's Evening Standard joined the legion of media outlets reporting on Wes Anderson's MOONRISE KINGDOM's opening night bow at the Cannes Film Festival. Anderson was joined by his legendary cast which (as shown above) included Bill Murray, Bruce Willis, Edward Norton, Tilda Swinton, Bob Balaban and newcomers Jared Gilman and Kara Hayward. Earlier in the day, during the press conference, as the Standard reports, Wes Anderson commented:

When we start it's a little bit of a reunion and I like to think now I have a bigger family to draw on....I hope that some of the friends that I've made on this movie will be available to me in the future.