Notes from the production of the Focus Features film Atonement.
To bring a historical novel to life, production designer Sarah Greenwood goes beyond finding the perfect decoration.
In Atonement's Britain, between the World Wars was not a lull in the storm, but a storm all its own. Bill Schwarz analyzes the shifting climate.
From Edison to Atonement, film has constantly reshaped the ways we imagine, if not wage, war. Joel Bleifuss reports.
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